Micah Lexier (Born 1960, Winnipeg, Manitoba) is a Canadian artist and curator. He was educated at the University of Manitoba (BFA, 1982) and the Nova Scotia College of Art and Design (MFA, 1984). He is represented by Birch Libralato (Toronto), TrépanierBaer (Calgary), and Gitte Weise Galerie (Sydney, Australia), and lives in Toronto.
Contents |
Lexier makes art that combines the traditions of conceptual art with sculpture. In keeping with the protocols of conceptualism, an idea in Lexier’s work precedes the means used to express it. That said, materials play an important role in Lexier’s art. An artist who has “the precision of a Swiss watchmaker”,[1] he is known to make art by devising systems of notation that are then realized in material form. Lexier often works with industrially produced materials. For instance, in a public work owned by the Art Gallery of Ontario A work of art in the form of a quantity of coins equal to the number of months of the statistical life expectancy of a child born January 6, 1995(1995) , Lexier creates a portrait of a person, but in an unfamiliar fashion. A series of coins are neatly ordered in a box; in an adjacent box, loose coins sit in a gradually growing pile. Every month, another coin gets transferred from the first box to the other. Together, the 906 coins represent the life of an individual; the transfer of coins notates the passage of time. This work embodies a number of themes that are central to Lexier’s art practice: timelines, life span, mortality; the ordering of things and their undoing.
Lexier is known for making artworks in series; starting with a simple idea, he works through it in a systematic fashion. Series by Lexier include, Book Sculptures (1993), A Minute of My Time (born 1995), Arrows (born 2004), Revelations (born 2005), and various collaborations with other artists and individuals. Lexier’s interest in ephemera adds another dimension to his practice. He makes posters, exhibition invites, t-shirts, and other art multiples to create parallel lives for his artworks, extending his art practice out of the gallery and into the world. In 2010, the Press of the Nova Scotia College of Art and Design published, I’m Thinking of a Number , a 30-year survey which documents this aspect of his practice in book form.
David: Then & Now (2005) is an example of Lexier’s penchant for extending ideas by reworking them. It consists of adjacent portraits of people named ‘David’. The portraits are of the same person taken 10 years apart, first in 1993 and then a decade later. In keeping with Lexier’s overall approach to artmaking, the work’s emotional tone is muted, yet it dramatizes the universal fact of aging. A temporary public artwork, the project was seen on bus shelters throughout Winnipeg. The work is a follow-up to an earlier piece by Lexier, A Portrait of David (1994) , which presents 75 portraits displayed on a freestanding wall. Each portrait is of a male named ‘David’, arranged chronologically from age one through 75.
Lexier is often the subject of his work. He has said, “Everything an artist does is portraiture, in a way”.[2] This is true of his on-going series, A Minute of My Time (1995- ) , in which scribbles the artist makes over the course of a minute are transformed in a variety of ways, including: factory-produced water-cut metal sculptures, etchings, custom minted coins, lines sewn onto pieces of paper, spray-painted graffiti, and chalkboard drawings. The work memorializes the fleeting trace of the artist’s hand as a timeless monument. A 2009 work, I Am the Coin, was commissioned by the BMO Financial Group. An example of the artist’s interest in serial forms of measurement, I Am the Coin, features a grid of 20,000 custom-made coins, each minted with a letter. Together the coins spell out a story, written by the writer Derek McCormack.
In addition to working with McCormack, Lexier has collaborated with the Canadian poet, Christian Bök and the Irish writer, Colm Tóibín. In 2008, Lexier produced a project with Tóibín and the entire student body of Cawthra Park Secondary School. Lexier commissioned the Irish author to write a short story that was exactly 1334 words long, one word for every student in the school. Each student then handwrote one of the 1334 words that make up the story, which was published in an 8-page newspaper that was given away.
Lexier has produced over a dozen public sculptures, often involving the repetition of large quantities of a specific item. For example, Ampersand (2002) is a public art work located in the Leslie subway station on the Sheppard line of Toronto’s TTC public transit system. The work consists of 17,000 ceramic tiles featuring the text ‘Leslie’ and ‘Sheppard’ as handwritten by thousands of different individuals. As with his David portraits, this work, in the words of the artist, "acknowledges the duality of being both an individual and part of a larger community."
His curatorial projects have included A to B at MKG127, Toronto; Here Now or Nowhere, Grande Prairie; Alberta (2009); The For Example series, Mount Saint Vincent Art University Art Gallery, Halifax (2007–2009); and Audio By Artists, a festival at the Centre for Art Tapes and Eye Level Gallery, Halifax (1984/1985/1986). Lexier is co-editor with Dan Lander of Sound By Artists, co-published by Art Metropole and Walter Phillips Gallery (1990). Since 2006, Lexier has been Visual Art Editor, for Bloom Magazine, Los Angeles.